There are a few measurements that can be used when setting up your document. • The Point - There are 72 points to an inch. All type is designated in points. Typefaces may be different sizes from 4pts to 144pts. Line spacing is also measured in points (eg. 2 points of leading, kerning, etc...) •The Pica- There are 12 points to 1 pica, and approximately 6 picas to 1 inch. The length of the line (linear measurement) is specified in picas, as well as the depth of the area. eg. a block of copy is to be set 10 picas wide by 20 picas deep. Inches are never used in type measurement. •The em- It is the square of the type size. It is not part of the point system. •The Agate line-line measurement used by newspapers to sell advertising space. There are 14 agate lines to an inch. The width of the column can vary from paper to paper.
T ypography is one of the most important aspects in your design. There are several classifications of typefaces which include: OLD STYLE: is wide and round, with pointed serifs that make a nice contrast between the heavy and light strokes. Garramond is an example of this typeface. MODERN: are distinguished by extreme contrast in thic and thin strokes, whith thin, squared-off serifs. Bondoni, Times Roman are examples of this typeface. SQUARE SERIF: has square or blocked serifs and mor or less uniform storkes, the face is even in texture and weight with little contrast. Lubalin Graph is an example SANS SERIF: has no serifs, and the face is generrally even in overall weight with very little contrast between thick and thin strokes. Helvetica is an example SCRIPT: there are no serifs or large contrast between thick and thin strokes. Zapf Chancery is an example TEXT LETTERS: resemble hand drawn letters of early scribes. old english is an example DECORATIVE TYPE: does not fi